Teachers:
Mark Bail
Lynda Abel
Meghan Szczepanek
Margaret Huba
John Morrissey
Frank Paige
Michelle Barone
Julie Stark
Elizabeth Supranovich
Kim Manning

Outside Links:

Joseph CalabreseEast Longmeadow
E.L. High School
Department Page
 

Helpful Materials :

Department Documents
DIDLS Prose Interpretation Method
FREDCCDD Writing Prework Method
Grammar Focus Areas

Literary Terms Master List
Literary Terms Glossary

Massachusetts Language Arts Learning Standards
Odds & Ends
MCAS Study Guide
MCAS Test Questions and Answers (2004)
Research Paper Format
Research Paper Guide
Summer Reading
 TPCASTT Poetry Interpretation Method
Vocabulary Lists (Grades 9-12)
Writing Focus Areas
 

Philosophy

 
bullet To expose students to the complexities of various cultures through the reading and discussion of literature.
bullet To foster a love of reading and an appreciation for good writing.
bullet To help students to understand and appreciate the writing process.
bullet To enrich the vocabulary of all students.
bullet To help students to employ the correct usage of Standard English.
bullet To develop student oral skills through group work, oral presentations and class discussion.
bullet To address all of the Massachusetts Language Arts standards in all courses.



Massachusetts English Language Arts Learning Standards (employed in all classes)


Language Strand

Students will:

1. Use agreed-upon rules for informal and formal discussions in small and large groups.
2. Pose questions, listen to the ideas of others, and contribute their own information or ideas in group discussions
    or interviews in order to acquire new knowledge.
3. Make oral presentations that demonstrate appropriate consideration of audience, purpose, and the information
    to be conveyed.
4. Understand and acquire new vocabulary, and use it correctly in reading and writing,
5. Analyze standard English grammar and usage, and recognize how its vocabulary has developed and been
   influenced by other languages.
6. Describe, analyze, and use appropriately formal and informal English.



Reading and Literature Strand

Students will:

7. Understand the nature of written English, and the relationship of letters and spelling patterns to the sounds of
    speech.
8.  Identify the basic facts and main ideas in a text and use them as the basis for interpretation.
9. Deepen their understanding of a literary or non-literary work by relating it to its contemporary context or
    historical background.
10. Identify, analyze, and apply knowledge of the characteristics of different genres.
11. Identify, analyze, and apply knowledge of theme in literature and provide evidence from the text to support
      their understanding.
12. Identify, analyze and apply knowledge of the structure and elements of fiction and provide evidence from the
      text to support their understanding.
13. Identify, analyze, and apply knowledge of the purpose, structure, and elements of nonfiction or informational
      materials and provide evidence form the text to support their understanding.
14. Identify, analyze, and apply knowledge of the themes, structure, and elements of poetry and provide evidence
      from me text to support their understanding.
15. Identify and analyze how an author's words appeal to the senses, create imagery, suggest mood, and set tone
      and provide evidence from the text to support their understanding.
16. Identify, analyze, and apply knowledge of the themes, structure, and elements of myths, traditional narratives,
      and classical literature and provide evidence from the text to support their understanding.
17. Identify, analyze, and apply knowledge of the themes, structure, and elements of drama and provide evidence
      from the text to support their understanding.
18. Plan and present dramatic readings, recitations, and performances that demonstrate appropriate
      consideration of audience and purpose.



Composition Strand

Students will:

19. Write with a clear focus, coherent organization, and sufficient detail.
20. Write for different audiences and purposes.
21. Demonstrate improvement in organization, content, paragraph development, level of detail, style, tone, and
      word choice (diction) in their compositions after revising them.
22. Use knowledge of standard English conventions in their writing, revising, and editing.
23. Organize ideas in writing in a way that makes sense for their purpose.
24. Gather information from a variety of sources, analyze and evaluate the quality of the information they obtain,
      and use it to answer their own questions.
25. Develop and use appropriate rhetorical, logical, and stylistic criteria for assessing final versions of their
      compositions or research projects before presenting them to varied audiences.



Media Strand

Students will:

26. Identify, analyze, and apply knowledge of the conventions, elements, and techniques of film, radio, video,
      television, multimedia productions, the Internet, and emerging technologies, and provide evidence from the
      works to support their understanding.
27. Design and create coherent media productions (audio, video, television, multimedia, Internet, and emerging
      technologies) with a clear controlling idea, adequate detail, and appropriate consideration of audience,
      purpose and medium.


DIDLS Prose Analysis Method

Style is a writer's individual way of writing. Just as each of us has a particular, unique way of presenting ourselves, writers have unique ways of presenting themselves. Our personalities shine through the way we talk, the words we choose, the gestures we use, the clothes we wear, etc. A writer has only language to express his/her personality. The qualities below are the basic elements of a writer's style. Study them carefully when you read a text, and you will gain a deeper understanding of the author's purpose.
Diction
What kinds of words, phrases, and clauses does the author use? Compare his/her word choice to what another person might use. Figure out the rationale for the word choices and what effect these choices have on the work as a whole.
ex. Author 1: Bill was unintelligent.
ex. Author 2: Bill, who couldn't add two and two, was a neanderthal zipperhead with a pea-sized brain.
Images
What images does the author use? What does he/she focus on in a sensory way? The kinds of images the author puts in or leaves out reflect his/her style? Are they vibrant? Prominent? Plain? Figure out what effect is created by the imagery or lack of it.

"A mother is a person who seeing there are only four pieces of pie for five people, promptly announces she never did care for pie."- Tenneva Jordan

"The best medicine in the world is a mother's kiss."- Anonymous

"My mother had a great deal of trouble with me, but I think she enjoyed it."- Mark Twain

"My mother is a fish." - William Faulkner
Details
What details does the author include and exclude in the story? The kinds of details the author puts in or leaves out reflect his/her style? Sometimes piling on details creates and effect. Sometimes not mentioning things that you would expect to be mentioned forces a shift in focus.
ex. An author describing a battlefield might include paragraph after paragraph of details about the stench of rotting bodies, but he might just say that soldiers died, or he might not even mention death. Each method creates a specific effect. Look closely at what's there and what's not there. Figure out why.
Language
What is the overall impression of the language the author uses? Does it reflect knowledge? A particular profession? Intelligence? Is it plain? Ornate? Simple? Clear? Figurative? Poetic? There is a big difference between the flavor of the language in Huckleberry Finn and the language in The Sound and the Fury. Figure out what the effect of the language is on the meaning of the work.
Sentence Structure
What are the sentences like? Are they simple with one or two clauses? Do they have multiple phrases? Are they choppy? Flowing? Sinuous like a snake? Are they loose, periodic, inverted? What emotional impression do they leave? The huge sentences and paragraphs in Crime and Punishment reflect the guilt of Raskolnikov. The short simple sentences in The Sun Also Rises reflect the lifestyle of the characters. Figure out why the stucture is as it is. If it shifts, note that and figure out why.


FREDCCDD Writing Prework Method

Before you can write an essay, you need to have an idea as to what you will write. The problem is that sometimes you do know what you want to write about, but you do not know how to begin or how to go about it. This is the point where FREDCCDD can come in handy because it gives you directions. It works by taking advantage of the fact that there are only eight ways in which humans can explain anything. What you do is brainstorm how you might write about a topic from each of the eight ways listed below. When you finish with your list, pick the best avenues of expression and begin freewriting about them. You'll probably have more than you need so pick the most interesting points and begin writing. Later, you can revise and edit.
Facts: Think of all that you know about your topic. Who? What? When? Where? Why? How? List the key points.
Reasons: Explain why you think your topic is significant and valuable.
Examples: Come up with as many examples (short and long) as you can that illustrate your topic.
Definitions: Define any aspects of your topic that may be unfamiliar to your audience.
Comparisons/Contrasts: Make connections between your topic and things that the reader may know well.
Causes/Effects: Explain what the effects of dealing with your topic are .
Descriptions: Give sensory details about your topic or aspects of your topic - smell, touch, taste, hearing, sight.
Details of Incidents: People love stories. Think of any stories that you know that are associated with your topic.


TPCASTT Poem Analysis Method

Poems can be very difficult to interpret because a lot of what they have to say is not written but is implied. A major problem that students have with interpreting poetry is that they read the poem once, assign it a personal meaning and try to get their meaning to match the information in the poem. Instead of jumping to conclusions, it is important for students to gather significant data about the poem before committing to an interpretation. This is the only way to get at the poet's meaning. Students need to look for clues, piece them together, and then interpret. The acronym below will help with this process.

Title: Ponder the title before reading the poem.
Paraphrase: Translate the poem into your own words.
Connotation: Contemplate the poem for meaning beyond the literal.
Attitude: Observe both the speaker’s and the poet’s attitude.
Shifts: Note shifts in the speaker’s and the poet’s attitude.
Title: Examine the title again, this time on an interpretive level.
Theme: Determine what the poet is saying.

Grammar Focus Areas
Key: I=introduce, R=review
GRADE 9: Basics of Grammar Grade 10: Mechanics
I
Parts of Speech
I
Capitalization
I
Parts of a sentence s-v-o-io
I
Mechanics: end marks, commas, apostrophes
I
Sentence Purposes
R
Agreement: pronouns & subject-verb
I
Fragments & run-on's
R
Fragments
I
Pronoun agreement
R
Run-on's: comma splices; IC joined by co-conj.
I
Subject-Verb agreement
R
Phrases: prepositions, intro elements, items in series
I
Correct pronoun use
R
Clauses: intro elements & IC joined by co-conj.
I
Correct verb use
R
Parts of a sentence
I
Correct adjective/adverb use
R
Types of sentences
I
Phrases & Clauses: IC & SC
 
Grade 11: The Sentence Grade 12: Style & Usage
I
Parallel Structure
I
Tense, Case, Mood, Modifiers
I
Wordiness
I
Active, passive and strong verbs
I
Sentence Variety & Combining
R
Purposes, Parts of a sentence 
I
Connectives
R
Fragments and Run-On's
I
Coordination: Clauses & Conjunctions
R
Sentence Variety & Combining
I
Subordination: Clauses & Conjunctions
R
Connectives
I
Semicolons and colons
R
Coordination: Clauses & Conjunctions
R
Run-ons
R
Subordination: Clauses & Conjunctions
R
Pronoun agreement
R
Parallel Structure
R
Subject-verb agreement
R
Wordiness
R
Pronoun Reference
R
Pronoun Reference
 
R
Run-ons
 
R
Pronoun agreement
 
R
Subject-verb agreement
 
R
Mechanics 


Writing Focus Areas

 

9th

10th

11th

12th

 

 

 

 

 

Essay

Development

Paragraph Structure:

  • Topic sentence
  • Unity
  • Concluding sentence

Essay Structure:

  • Introduction
  • Body
  • Conclusion
  • Supporting details

Essay Refinement:

·        Coherence

·        Order

·        Topic development

Employing Writing Types:

  • Exemplification
  • Definition
  • Classification
  • Compare/Contrast
  • Cause/Effect
  • Process

Writing Process Focus

Pre-writing:

·Clustering

·Brainstorming

·Outlining

· 8 Specifics

Drafting:

·    Unity

·        Order

·    Development

·    Coherence

 

Revision:

·        Vocabulary

·        Voice

·        Clarity

·        Supporting details

 

Proofreading:

  • Grammar
  • Usage
  • Wordiness
  • Capitalization
  • Punctuation

Editing Focus

Dependent and independent clauses

Punctuation and capitalization

Pronoun, verb and antecedent agreement/ misplaced and dangling modifiers

Matching type to practice

Writing Types

Descriptive, Expository, Compare/Contrast, Autobiography

  • Exposition
  • Cause & Effect
  • Argumentation
  • Writing prompts - MCAS
  • Research techniques

 

  • Exposition
  • Writing from prompts
  • Research techniques
  • Writing prompts - SAT
  • Personal narrative
  • College essay
  • Argumentation
  • Position Paper
  • Research Report
  • Writing on Literature

 

Writing on

Genres

Writing on fiction

Writing on drama

Writing on poetry

Writing on literature (compare/contrast)

 

LITERARY TERMS MASTER LIST
Definitions Available On English Department Web Site
GRADE 9 GRADE 10
characterization alliteration
climax assonance
conflict colloquialism
couplet/heroic couplet exposition
imagery flashback
irony/situational-dramatic-verbal hyperbole
metaphor/simile imagery
motif irony/situational-dramatic-verbal
narration point of view
personification mood
plot onomatopoeia
satire rhyme scheme
setting stanza
soliloquy thesis
symbolism tone
theme  
   
   
GRADE 11 GRADE 12
accent/beat/foot analogy
allusion anecdote
antagonist/protagonist anti hero
aphorism archetype
apostrophe caricature
consonance catharsis
blank verse chorus
canto fate
caricature hubris
conceit in medias res
connotation/denotation paradox
foil rhetorical question
iambic pentameter stereotype
internal suspension of disbelief
monologue  
kenning  
rhyme scheme  
tragic flaw  
tragic irony  
   
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